|
|
|
TeachingMaterial from CCCC ‘07 Panel on Teaching Writing to Adult Students Title of Session: Gray Hair in the Front Row, Cabbie in the Back: What Writing Teachers Need to Know about Adult Learners Description of Session (one sentence): Using case studies, research on adult development and our experience teaching diverse adults, we will present effective strategies for teaching writing to the forty percent of college composition students who are adults. Longer Description of Session: Two of every five students taking college composition are 25 years or older. The U.S. Department of Education predicts that, over the next six years, adult student enrollment will increase more rapidly than that of students under age 25. Yet, as a profession, and as teachers, we rarely take our students’ ages into account when we consider their identities. At the 2006 CCCC, only two panels and one special interest group were devoted to adult students. In contrast, nine panels were devoted to second language learners. The “Call for Program Proposals” for the 2007 CCCC convention includes a sixty word sentence listing identity labels such as “basic,” “race,” and “sexuality.” Age is not included. Nor does it appear alongside “race/ethnicity,” “gender,” “class,” “sexuality,” or “disability” in the list of options for panelists to check to indicate their “Interest Emphasis” on the proposal form. As a result of our failure to consider age as an identity category, composition scholars and teachers of writing know very little about the needs and experiences of adult learners in the composition classroom. We do not know, for example, if returning students, who often have years of experience with writing for personal, community and work purposes, develop academic writing skills differently than younger, less experienced writers. Much of what we do know about adults learning to write comes from the field of adult education, a field with which most composition teachers are not familiar. Moreover, in both the fields of composition and adult education, the majority of work on adult writing focuses on basic skills and literacy as opposed to average writers who happen to be adult returning students. With this panel, we seek to give composition instructors a better understanding of the diversity and the unique needs of the forty percent of college composition students who are adults. Using case studies and drawing upon research on adult development as well as our experience teaching diverse populations of adult students, we will present effective strategies for teaching writing to adult students. Speaker one will focus on the nature of adult literacy, speaker two on the experiences of adult students, and speaker three on those of their teachers. In “Teacher Aides, IT Managers, and Telecommunications Workers: What Writing Teachers Need to Know about Adult Learners ‘In the Middle’”, Mike Michaud will report on his research examining the ways in which literacy functions in the lives of adult learners who do not yet have a bachelor’s degree but who have already earned a high school diploma or GED, have often completed some postsecondary coursework and/or an associate’s degree, and have gained a wealth of work experience, often entailing literacy work, in today’s “knowledge economy.” These adults “in the middle” have been returning to school in droves for a variety of economic, social, and personal reasons. Mike Michaud will describe research participants’ literacy beliefs and histories, current practices and processes, and plans or goals across three domains: school, work, and home/community. He will argue that many compositionists do not know enough about the myriad ways in which literacy practices are already thriving in the lives of adult learners “in the middle.” Finally, he will suggest that, as a field, we need to know not just more about who these adult learners are, but also, about how best to teach them. In “Diverse Voices All Singing in the Same Key: Portraits of Adult Learners in a Multi-Cultural Composition Classroom,” Sonia Feder-Lewis will report on the results of retrospective interviews with several students on an all-adult campus of incredible ethnic diversity. These interviews explore the extent to which “adult” identity unifies and shapes the experience and outcomes for students who may come from Africa (particularly Somalia, Kenya, Liberia, and Nigeria), the Middle East, Taiwan, Laos, Latin America, the African American community in Minneapolis/St Paul, as well as the predominantly middle-class, white Minnesotans of the suburbs. Sonia Feder-Lewis will compare the attitudes students had towards their own writing prior to and following a composition course in this richly multicultural environment. She will also show how adapting the course to meet their needs better integrates these students into the sometimes threatening academic atmosphere. In “Teaching for, to and with the Adult Composition Student,” Michelle Navarre Cleary will show how the writing-related motivations, anxieties, and prior learning of adult composition students at both a public community college and a private university can become barriers to success when these students are treated as if they were 18-year-olds. Using a mentoring journal as well as observations of and interviews with teachers new to working with adult students, she will show how teachers learn to adjust their assumptions, practices, and teaching methods to better serve the needs of their adult students. She will focus on the many ways in which teachers’ default models of student identity obstruct their ability to communicate with and effectively teach adult students and will present strategies for disabling these default models. “Gray Hair in the Front Row, Cabbie in the Back: What Writing Teachers Need to Know About Adult Learners” is Michelle’s opening presentation making the case for the need to start paying attention to the unique strengths and needs of adult learners: Attach:Gray_Hair.ppt “Teaching For, To and With Adult Students” is Michelle’s individual presentation from CCCC ‘07: Attach:Teaching_For,_To_and_With_the_Adult_Composition_Student.ppt “Diverse Voices All Singing in the Same Key: Portraits of Adult Learners in a Multi-Cultural Composition Classroom” is Sonia’s individual presentation: Attach:Diverse_Voices.ppt |